Pieter Hugo’s biography, net worth, fact, career, awards and life story

Pieter Hugo (born 1976) is a photographer who primarily works in portraiture and whose work considers the role of photography between documentary and art traditions with a focus on peripheral communities. He lives in Cape Town.

Education

Hugo was born 1976 in Johannesburg, South Africa. He began his career working in the film industry in Cape Town, before undertaking a two-year residency at Fabrica research centre, Treviso, Italy.

Work

Hugo’s work is governed by an autodidactic approach to photography and a deep scepticism of the role of the photographic medium. He is one of a generation of post-Apartheid photographers that seeks to confront photography’s history of representing marginalised and disempowered people. His work aims to challenge preconceptions around the representation of groups of people ‘other’ to the Western European norm.

Hugo’s first major work Looking Aside (2006) depicts portraits of people “whose appearance makes us look aside” – the blind, people with albinism, the aged, his family and himself. Each man, woman and child poses in a sterile studio setting, under crisp light against a blank background. His Rwanda 2004: Vestiges of a Genocide (2011) was described by the Rwanda Genocide Institute as offering “a forensic view of some of the sites of mass execution and graves that stand as lingering memorials to the many thousands of people slaughtered.” Hugo’s most recognized work is The Hyena & Other Men (2007), which has received a great deal of attention.

His series Messina/Mussina (2007) was made in the town of Musina on the border between Zimbabwe and South Africa, after Colors magazine asked Hugo to work on an AIDS story. Nollywood (2009) consists of pictures of the Nigerian film industry. For Permanent Error (2011) Hugo photographed the people and landscape of an expansive dump of obsolete technology in Ghana. There is a Place in Hell for Me and My Friends (2012) depicts Hugo’s family and friends from South Africa in digitally manipulated black and white portraits that aim to explore the contradictions of racial classification based on skin colour. Kin (2014) places even greater emphasis on the photographer’s family and community which Hugo describes as “an engagement with the failure of the South African colonial experiment and my sense of being ‘colonial driftwood’.”

In the Spring of 2014, Hugo was commissioned by Creative Court to work in Rwanda for its “Rwanda 20 Years: Portraits of Forgiveness” project. The project was displayed in The Hague in the Atrium of The Hague City Hall for the 20th commemoration of the 1994 genocide in Rwanda. A selection of the photos have also been displayed in New York at the exhibition Post-Conflict which was curated by Bradley McCallum, artist in residence for the Coalition for the International Criminal Court. The project served as the impetus for the photographic series 1994 (2017) which explores the post-revolutionary era in both South Africa and Rwanda through a series of portraits of children from both countries.

Flat Noodle Soup (2016) chronicles Hugo’s lengthly engagement with the city of Beijing, exploring how concerns with expressing personal identity within societal norms and pressures are universal and trans-national.

Fashion

Hugo has produced fashion photography features for various publications. These include Arena Homme Plus, Re-Edition Magazine, Document Journal, System Magazine and AnOther Man. He has also collaborated on publications with Louis Vuitton and Hood By Air.

Editorial

Hugo is a regular contributor to titles such as the New Yorker, Zeit magazine, Le Monde and The New York Time’s magazine. He has written extensively about his own work and that of other photographers with his article on Garth Walker being featured in Aperture magazine, Winter, 2013. In May 2015 he was invited to guest edit the supplement DeLuxe for the Dutch newspaper NRC.nl.

Film

In 2011 Hugo collaborated with Michael Cleary, co-directing the music video for South African musician Spoek Mathambo’s cover version of Joy Division’s “She’s Lost Control”. For the video, Hugo won the Young Director Award at the Cannes Lions International Festival of Creativity. In 2015 he directed the music video for “Dirty”, a song by controversial South African musical artists Dookoom.

Publications

• La Cucaracha. RM, 2019. Edition of 1500 copies.

Exhibitions

Pieter Hugo has exhibited extensively in various countries. He has had major museum solo exhibitions at the Museu Coleção Berardo, Lisbon, Portugal (2018), the Museum für Kuns und Kulturgeschichte, Dortmund, Germany (2017), the Kunstmuseum Wolfsburg, Germany (2017), The National Portrait Gallery, London (2015), the Ludwig Museum, Budapest (2013), the Institute of Modern Art, Brisbane, Australia (2010), the Multimedia Art Museum, Moscow (2012) and the South African National Gallery, Cape Town (2007).

He has been included on important group exhibitions such as Civilization: The Way We Live Now at the National Museum of Modern and Contemporary Art in Seoul, South Korea (2018), Another Kind of Life: Photography on the Margins at the Barbican Art Gallery, London, England (2018), Good Hope. South Africa and The Netherlands from 1600 at the Rijksmuseum, the Netherlands (2017), Street & Studio: An urban history of photography at the Tate Modern, London, UK (2008), reGeneration: 50 Photographers of Tomorrow at the DeVos Art Museum, Marquette, Michigan, USA (2008) and How to Live Together, 27th São Paulo Biennale, Brazil; Museo de Arte Contemporaneo de Santiago, Chile (2006) among many others.

List of exhibitions

Solo exhibitions

• 2002: Margin, the Cold Room Photographic Gallery, Cape Town, South Africa.
• 2004: Rwanda 2004: Vestiges of a Genocide, Michael Stevenson Gallery, Cape Town, South Africa
• 2004: The Albino Project, National Gallery of Modern Art, Rome, Italy, 2004; Fabrica Features, Lisbon, Portugal, 2004.
• 2006: Looking Aside, Warren Siebrits Contemporary, Johannesburg, South Africa Stephen Cohen Gallery, Los Angeles, CA, 2007
• 2006: Presence, Michael Stevenson Gallery, Cape Town, South Africa; Galerie Bertrand & Gruner, Geneva, Switzerland
• 2007: Messina/Musina, Extraspazio, Rome, Italy; Standard Bank Young Artist Award 2007 touring exhibition, National Arts Festival, Grahamstown, South Africa; Nelson Mandela Metropolitan Museum, Port Elizabeth; Durban Art Gallery, Durban; Oliewenhuis Art Museum, Bloemfontein; Standard Bank Gallery, Johannesburg; Iziko South African National Gallery, Cape Town; National Gallery, Cape Town, South Africa, 2008; Standard Bank Gallery, Johannesburg, South Africa, 2008
• 2007: Pieter Hugo: The Hyena & Other Men, Yossi Milo Gallery, New York, 2007 Foam Fotografiemuseum Amsterdam, Netherlands, 2008; Herzliya Museum of Contemporary Art, Herzliya, Israel, 2010; Photographic Centre Peri, Turku, Finland, 2010; Multimedia Art Museum, Moscow, 2012
• 2008: Works 2002-2007, Galerie Bertrand & Gruner, Geneva, Switzerland
• 2008: Nollywood, Warren Siebrits Contemporary, 2008 Johannesburg, South Africa, 2008; Australian Center for Photography, Sydney, Australia, 2009; Extraspazio, Rome, Italy, 2009; Michael Stevenson Gallery, Cape Town, South Africa, 2009; Greenaway Art Gallery, Adelaide, Australia, 2010; Shoshana Wayne Gallery, Santa Monica, CA, 2010; Yossi Milo Gallery, New York, 2010; Institute of Modern Art, Brisbane, Australia, 2010; Cokkie Snoei Gallery, Amsterdam, The Netherlands, 2010;
• 2008: Portraits, Open Eye Gallery, Liverpool, UK, 2008; Ffotogallery, Cardiff, UK, 2008
• 2008: God’s Time is the Best, Cokkie Snoei Gallery, Rotterdam, The Netherlands
• 2008: Pieter Hugo: Selected Works, Tinglado 2, Tarragona, Spain, 2008 Tinglado 2, Tarragona, Spain, 2009.
• 2010: Be Prepared!, Cokkie Snoei Gallery, Rotterdam, The Netherlands
• 2010: On Reality and Other Stories, Le château d’eau, pôle photographique de Toulouse, Toulouse, France, 2010; Forest Centre Culturel, BRASS, Brussels, Belgium, 2010
• 2010: Permanent Error, Michael Stevenson, Cape Town, South Africa, 2010; Brodie Stevenson, Johannesburg, South Africa, 2010; Scotiabank CONTACT Photography Festival, Toronto, Canada, 2011; Yossi Milo Gallery, New York, 2011
• 2011-2012: There’s A Place in Hell for Me and my Friends, Stevenson Gallery, Cape Town, South Africa
• 2013: This must be the place – Selected works 2003-2012, Ludwig Museum, Budapest
• 2013: Kin, Stevenson Gallery, Cape Town, South Africa, 2013; Fondation Cartier-Bresson, Paris, 2015; Priska Pasquer, Cologne, Germany, 2016.
• 2014: The Journey, Stevenson Gallery, Cape Town, South Africa
• 2015: Portraits: From the unsaid to the un-dead, Institute of Contemporary Art Indian Ocean, Mauritius
• 2015: In Focus, National Portrait Gallery, London, United Kingdom
• 2016: 1994, Stevenson Gallery, Cape Town, South Africa
• 2017: 1994, Yossi Milo, New York, USA.
• 2017: Peripheral Dispatches, Priska Pasquer, Cologne, Germany.
• 2017: 1994 and Californian Wildflowers, Cokkie Snoei, Rotterdam, The Netherlands.
• 2017: Between the Devil and the Deep Blue Sea, Kunstmuseum Wolfsburg, Wolfsburg, Germany.
• 2017: Verisimilar Worlds: The West African Works 2005-2010, Organ Vida International Photography Festival, Museum of Contemporary Art, Zagreb, Croatia.
• 2017: Between the Devil and the Deep Blue Sea, Museum für Kunst und Kulturgeschichte, Dortmund, Germany.
• 2018: Between the Devil and the Deep Blue Sea, Museu Coleção Berardo, Lisbon, Portugal.
• 2019: Africa to China, Pékin Fine Arts, Hong Kong, China.
• 2020: La Cucaracha, Yossi Milo Gallery, New York, USA.

Group exhibitions

• 2001: New South African Art, JAK Gallery, London
• 2009: A Life Less Ordinary: Performance and display in South African art, Djanogly Gallery, Nottingham, UK
• 2009: Creating Identity: Portraits Today, 21c Museum Hotels, Louisville, KY
• 2010: Halakasha!, Standard Bank Gallery, Johannesburg, South Africa
• 2010: Life Less Ordinary: Performance and display in South African art, Ffotogallery, Cardiff, Wales
• 2010: 1910-2010: From Pierneef to Gugulective, Iziko South African National Gallery, Cape Town, South Africa
• 2010: Lie of the Land: Representations of the South African Landscape, Iziko Old Town House Museum, Cape Town, South Africa; Sanlam Gallery, Bellville, South Africa
• 2010: After A, Photo Notes on South Africa, Atri Reportage Festival, Atri, Italy
• 2010: This is Our Time, Michael Stevenson, Cape Town, South Africa
• 2010: Disquieting Images, Triennale di Milano, Milan, Italy
• 2010: Counterlives, Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, NC
• 2010: Sharon Stone in Abuja, Location One, New York, NY
• 2010: Breaking News: Contemporary photography from the Middle East and Africa, Fondazione Cassa di Risparmio Provincia di Modena, Italy.
• 2011: Figures and Fictions: Contemporary South African Photography, Victoria and Albert Museum, London
• 2011: For a Sustainable World, Les Rencontres de Bamako African Photography Biennial, Mali
• 2011: The Global Contemporary: Art Worlds after 1989, ZKM Center for Art and Media Karlsruhe, Germany
• 2011: The Eye is a Lonely Hunter: Images of Humankind, Fotofestival Mannheim Ludwigshafen Heidelberg, Germany
• 2011: Possible Cities: Africa in Photography and Video, Cantor Fitzgerald Gallery, Haverford College, Pennsylvania, USA
• 2011: ARS 11, Kiasma, Helsinki Museum of Contemporary Art, Helsinki, Finland
• 2011: Lens: Fractions of Contemporary Photography and Video in South Africa, Stellenbosch University Art Museum, South Africa
• 2011: Il corpo metafora di un’esperienza, CIAC Centro Italiano Arte Contemporanea, Foligno, Italy
• 2011: Contact Photography Festival, Toronto, Canada
• 2011: Beguiling: The Self and the Subject, Irma Stern Museum, Cape Town, South Africa; Contact Photography Festival, Toronto, Canada
• 2011: All Cannibals, Me Collectors Room, Berlin, Germany
• 2011: Urban Lives, Shoshana Wayne Gallery, California, USA
• 2011: Paraty em Foco photography festival, Brazil
• 2011: What we talk about when we talk about love, Stevenson, Cape Town, South Africa
• 2012: Bienal de Fotografía de Lima, Peru
• 2012: FotoTriennale.dk, Funen, Denmark
• 2012: Moscow Photobiennale, Moscow Multimedia Art Museum, Moscow
• 2012: International Art Exhibition, Rwesero Arts Museum, Nyanza, Rwanda
• 2012: Qui Vive? 3rd Moscow International Biennale for Young Art, Moscow
• 2012: Photography of The Rainbow Nation, Museum Beelden aan Zee, The Hague, the Netherlands
• 2012: Africa, There and Back, Folkwang Museum, Essen, Germany
• 2012: Transitions – Social Landscape Project, Market Photo Workshop, Johannesburg, South Africa
• 2012: Deutsche Börse Photography Prize 2012, The Photographers Gallery, London, UK
• 2012: Africa: Photographs and video from the Martin Margulies Collection, Bob Rauschenberg Gallery, Edison State College, Florida, USA
• 2012: Distance and Desire: Encounters with the African Archive Part II: Contemporary Reconfigurations, Walther Collection Project Space, New York, USA
• 2013: Loom of the Land, Stevenson, Johannesburg, South Africa
• 2013: Nothing to Declare?, Akademie der Kunste, Berlin, Germany
• 2013: Landmark: The Fields of Photography, Somerset House, London, UK
• 2013: Either/Or, Nikolaj Copenhagen Contemporary Art Center, Denmark
• 2013: Some Views of Africa, Studio la Città di Verona, Italy
• 2013: The Glorious Rise and Fall … (and so on), Groot Ziekengasthuis, ‘s-Hertogenbosch, the Netherlands
• 2013: Distance and Desire: Encounters with the African Archive, The Walther Collection, Ulm, Germany
• 2013: Transition: Social Landscape, Rencontres d’Arles festival, Arles, France
• 2013: Present Tense, Fundação Calouste Gulbenkian, Lisbon, Portugal; Fundação Calouste Gulbenkian – Délégation en France, Paris
• 2013: Art and Textile: Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Germany
• 2014: Chroma, Stevenson, Cape Town, South Africa
• 2014: Public Intimacy: Art and Social Life in South Africa at the Yerba Buena Center for the Arts, San Francisco, USA
• 2014: Apartheid and After, Huis Marseille, Amsterdam, the Netherlands
• 2014: Present Tense, Galeria Municipal Almeida Garrett, Porto, Portugal
• 2014: Here Africa, Château de Penthes, Geneve-Pregny, Switzerland
• 2014: Between Subject and Object: Human remains at the interface of art and science, Michaelis Galleries, University of Cape Town, South Africa
• 2014: From Sitting to Selfie: 300 Years of South African Portraits, Standard Bank Art Gallery, Johannesburg, South Africa
• 2014: Animalis, Fundació Forvm per la Fotografia, Tarragona, Spain
• 2014: T.R.I.P. Travel Routes In Photography, Terme di Diocleziano, Rome, Italy
• 2014: Prospect.3: Notes for Now (P.3), New Orleans Biennial, USA
• 2015: Prix Pictet: Disorder, Musée d’Art Moderne de la Ville de Paris; Somerset House, London; et al.
• 2015: Representations of Otherness and Resistance, Johannes Stegmann Art Gallery, Bloemfontein, South Africa
• 2015: I will go there, take me home, MAC Belfast, Northern Ireland, UK
• 2015: Spatial Stories: Topographies of Change in Africa, at the Center for Visual Arts, Metropolitan State University of Denver, USA
• 2015: Beastly/Tierisch, Fotomuseum Winterthur, Switzerland
• 2015: Strange Worlds, Fondazione Fotografia Modena, Foro Boario, Modena, Italy
• 2016: After Eden/Après Eden – The Walther Collection, La Maison Rouge, Paris, France
• 2016: A Closer Look: Portraits from the Paul G Allen Family Collection, Pivot Art + Culture, Seattle, USA
• 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art, Israel
• 2017: Lavoro in Movimento/Work in Motion, MAST Foundation, Bologna
• 2017: Good Hope. South Africa and The Netherlands from 1600, Rijksmuseum, the Netherlands
• 2017: 10 Years Old 2007-2017: A History of the World Told Through the Images of the Fondazione Cassa, di Risparmio di Modena Collection, Fondazione Fotografia Modena, Foro Boario, Italy
• 2017: Up to Now. Fabrica Photography, Fondazione Palazzo Magnani, Reggio Emilia, Italy as part of Time maps. Memory, archives, future, Fotografia Europea Festival
• 2017: AFRICA. Telling a world, Padiglione d’Arte Contemporanea, Milan, Italy
• 2017: Dangerous Art, Haifa Museum of Art, Israel
• 2018: Another Kind of Life: Photography on the Margins, Barbican Art Gallery, London, England
• 2018: Both, and, Stevenson, Cape Town, South Africa
• 2018: In This Imperfect Present Moment, Seattle Art Museum, Washington, USA
• 2018: Troubled Intensions Ahead: Confusing Public and Private, 3rd Beijing Photo Biennial, China
• 2018: Civilization: The Way We Live Now, National Museum of Modern and Contemporary Art, Seoul, South Korea; Ullens Center for Contemporary Art in Beijing, China; the National Gallery of Victoria, Melbourne, Australia; and the National Museum of Civilization, Marseille, France.
• 2018: Hacer Noche (Crossing Night), Oaxaca, Mexico
• 2018: Evoking Reality, Daimler Contemporary, Berlin, Germany
• 2018: About Face, Stevenson, Cape Town, South Africa
• 2018: Recent Histories / Contemporary African Photography and Video Art from The Walther Collection, Huis Marseille, Amsterdam, The Netherlands
• 2019: Here We Are Today, Bucerius Kunst Forum, Hamburg, Germany
• 2019: African Spirits, Yossi Milo Gallery, New York
• 2019: Risk, A4 Arts Foundation, Cape Town, South Africa

Publications

Hugo has had four monographs published on his career. These include Pieter Hugo: The Hyena and Other Men (2008) by Aaron Schuman published by the Fotografiemuseum, Amsterdam; Pieter Hugo: Selected Works (2009) edited by the Área De Cultura / Ajuntament de Tarragona; This Must Be the Place (2012) with essays by TJ Demos and Aaron Schuman, published by Prestel: Munich; and Pieter Hugo: Between the Devil and the Deep Blue Sea (2017) with essays by the editors, Ralf Beil and Uta Ruthkamp, published by Prestel: Munich.

List of publications

Publications by Hugo

• 1994. Munich: Prestel. 2017. ISBN 978-3-7913-8273-9. With text by Ashraf Jamal.
• Flat Noodle Soup Talk. Paris: Bessard, 2016. ISBN 979-10-91406-48-2. Edition of 500 copies. Photographs made in Beijing.
• The Journey. Self-published, 2015. Newspaper format.
• Kin. New York: Aperture, 2014. ISBN 978-1597113014. With a short story by Ben Okri.
• There’s a Place in Hell for Me and My Friends. London; Paris: oodee, 2012. ISBN 978-095703-892-9.
• This Must Be The Place: Selected Works. Munich: Prestel, 2012. ISBN 978-3791346892. With essays by TJ Demos and Aaron Schuman.
• Permanent Error. Munich: Prestel, 2011. ISBN 978-3791345208.
• Rwanda 2004: Vestiges of a Genocide. London; Paris: oodee, 2011. ISBN 978-0-9570389-0-5. Edition of 500 copies. With an essay by Linda Melvern.
• Nollywood. Munich: Prestel, 2009. ISBN 978-3791343129. With texts by Chris Abani, Stacy Hardy and Zina Saro-Wiwa.
• Messina/Musina. Munich: Punctum, 2007. ISBN 978-88-95410-03-6. With a short story by Stacy Hardy, “The Donkey Fuckers”, and a conversation between Hugo and Joanna Lehan.
• The Hyena & Other Men Munich: Prestel, 2007. ISBN 978-3791339603. With an essay by Adetokunbo Abiola.
• Looking Aside. Punctum, 2006. ISBN 978-88-95410-00-5.

Selected books and catalogues

• Ralf Beil & Uta Ruhkamp (ed.), 2017. PIETER HUGO. Between the Devil and the Deep Blue Sea. Munich: Prestel
• Jamal, Ashraf. 2017. ‘Giants’. In the World: Essays on Contemporary South African Art. Skira: Milan. ISBN 978-8857235639
• Nine Weeks. Cape Town: Stevenson, 2016. ISBN 978-0-620-69507-7. Pieter Hugo in conversation with Hansi Momodu-Gordon.
• Markus Brüderlin (ed.), 2013. Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present, 2013. Exhib. Cat. Kunstmuseum Wolfsburg. Ostfildern: Hatje Cantz
• Beckmann, Anne-Marie and Freddy Langer. 2011. XL Photography 4: Art Collection. Deutsche Börse. Ostfildern: Hatje Cantz Verlag. ISBN 978-3775728027.
• Fabiani, Francesca. 2011. Re-cycle. Strategie per l’architettura, la città e il pianeta. Rome: MAXXI and Elekta. ISBN 978-8837088965.
• Garb, Tamar. 2011. Figures & Fictions: Contemporary South African Photography. Göttingen and London: Steidl and V&A Publishing. ISBN 9783869302669.
• Gavin, Francesca. 2011.100 New Artists. London: Laurence King Publishing. ISBN 978-1856697347.
• Herschdorfer, Nathalie. 2011. Afterwards: Contemporary Photography Confronting the Past. London: Thames & Hudson. ISBN 9780500543986.
• Kemfert, Beate and Christina Leber (eds). 2011. Road Atlas: Street Photography from Helen Levitt to Pieter Hugo. Munich: Hirmer Verlag. ISBN 978-3777439617.
• Krifa, Michket and Laura Serani (eds). 2011. For A Sustainable World. Rencontres de Bamako African Photography Biennial, 9th Edition. Arles and Paris: Actes Sud and Institut Français. ISBN 978-2330001551.
• Ovesen, Solvej Helweg and Katerina Gregos (eds). 2011. The Eye is a Lonely Hunter: Images of Humankind. 4. Fotofestival Mannheim Ludwigshafen. Heidelberg: Kehrer. ISBN 978-3868282405.
• Rubenstein, Bonnie, et al. 2011. Figure + Ground. Contact Photography Festival. Toronto: Scotiabank. 2011 Festival Catalogue.
• Celant, Germano and Melissa Harris (eds). 2010. Immagini Inquietanti. Milan: La Triennale di Milano. Exhibition catalogue.
• Enwezor, Okwui (ed). 2010. Contemporary African Photography from the Walther Collection. Events of the Self: Portraiture and Social Identity. Göttingen: Steidl. ISBN 978-3-86930-157-0.
• Maggia, Filippo et al. 2010. Breaking News: Contemporary Photography from the Middle East and Africa. Milan: Skira. ISBN 978-8857206455.
• Blackwell, Lewis. 2009. Photo-wisdom: Master Photographers on Their Art. Auckland: PQ Blackwell. ISBN 9780473150945.
• Cresci, Mario (ed). 2009. Future Images. Milan: 24 ORE Cultura. ISBN 978-8864130170.
• De Cultura, Área, and Ajuntament de Tarragona (eds). 2009. Pieter Hugo: Selected Works. Tarragona: Tinglado 2. ISBN 978-84-935674-6-0.
• Dempsey, Kate (ed). 2008. Presumed Innocence. Lincoln, Massachusetts: DeCordova Museum and Sculpture Park. ISBN 978-0945506560.
• Hug, Alfonso et al. 2008. The Tropics: Views from the Middle of the Globe. Bielefeld: Kerber Verlag. ISBN 978-3866781665.
• Schuman, Aaron. 2008. Pieter Hugo: The Hyena and Other Men. Amsterdam: Foam Fotografiemuseum. [online](https://www.aaronschuman.com/pieterhugo.html)
• Yildiz, Adnan et al. 2007. An Atlas of Events. Lisbon: Fundação Calouste Gulbenkian
• Ewing, William (ed). 2006. Face: The New Photographic Portrait. London: Thames & Hudson. ISBN 978-0500287323.
• Matt, Gerald et al. 2006. Black, Brown, White: Photography from South Africa. Vienna: Kunsthalle Wien. ISBN 978-3938821336.
• Ewing, William; Nathalie Herschdorfer and Jean-Christophe Blaser. 2005. reGeneration: 50 Photographers of Tomorrow 2005-2006. New York: Aperture. ISBN 978-1931788984.